Radio station: Radio Clásica de RNE
Venue/s of the event: Fonoteca Nacional de México/ Casa de la Radio RNE en Madrid
RESONOSER took part of the activities of RESONANTES, 1st. Ibero-American meeting of sound art in radio. Coming from a project by the mexican radio-artist Emiliano López Rascón, and coordinated by Pedro López and José Iges, RESONOSER invited to Iberoamerican sound and radio artists to participate in an experience of collective creation that essentially consisted of sharing recordings obtained in different geographic coordinates and made multiple versions or mixes, some of them as a radioperformance, held the 4th October at Fonoteca Nacional de Mexico in the context of the 9th International Biennial of Radio and using live three radio stations in Mexico City.
RESONOSER, as open and collaborative work, proposes a rich set of meanings and resonances encrypted in the idea of imagining new remixes; that each separate channel and its regions converge in a common space. It is a celebration of reflection and resonance, of harmonics generated by the otherness of the revocability of the fateful, that another mix is always possible. It is a point of departure and arrival, a one-way and return of the sound in their echoes and reverberations; in its rebounds and reflexes that return us to us on the other.
The new mix that Pedro Lopez will offer uses the original materials uploaded to Radioartnet by sixteen authors (all audios and its authors are in: http://resonoser.bandcamp.com/) and basically employs the live mixes made in the radioperformance by him and the sound artists Mauricio Prieto (Colombia), Rodrigo Sigal (México), Hernán Risso Patrón (Argentina) and Agustín Peña (México) (More info in: http://radioartnet.net/11/2012/11/13/radioperformances-resonoser/)
PEDRO LÓPEZ Indeterminate activity, improvisation, acoustic and electronic sounds to be analyzed and reproduced on invented instruments. Reuse of objects intended for the trash. Computer-aided design of sounds then transferred to a sampler for live use. Microphony and ‘real-time’ manipulation of electronic tapes with pedals, etc…
Founding member of improvisation groups Zyklus, Fases, Modisti, 2l2 and Scorecrackers.
Organizer of the I & II international festival of improvised music – Hurta Cordel. Director of the improvised music magazine Hurly-Burly, also writes for the magazines Margen, Noise Club & Revista de Occidente. He has been promoter of the CEDI & hurly burly virtual interactive creativity environment, and actually responsible of Modisti web site (www.modisti.com) as well as co-founder and webmaster of Radioartnet, site web and social network devoted to Radio Art.